rone: (cotopaxi)

I remember reading, as a kid, a dramatization of the British Antarctic Expedition, which was effectively a race to reach the South Pole for the first time between Robert Falcon Scott and Norway's Roald Amundsen.  The story was told from Scott's perspective and it was somewhat tragic.  Thinking upon it now, it seems like the heroic tragedy of the failure of Scott's expedition outshines Amundsen's accomplishment, which might be a result of better British PR, or perhaps just the cultural proximity of our nations (i recall also the story of Robert Peary being the first to reach the North Pole, and of course Peary was American, except it turned out upon later determination that he missed).

I discovered I Like Trains (né iLiKETRAiNS) on Pandora (although i can't pinpoint on what station; easy guess would be Sigur Rós), and i happened to come across a video one particular song of theirs, "Terra Nova", and it was only upon viewing the video that i realized that it is a reference to the Scott expedition, which turns the song from merely gloomy into harrowing.  I didn't expect that the video, which starts out with an almost cheap feeling with obvious models, would provoke such feeling.

How could I have led these men
To their demise and they just follow?
Exploration's last great prize
It wasn't mine

And more's the shame
You will remember my name

Great God, this is an awful place
I do not think that we can hope
For any better things now

Oh, the end, cannot be far
It cannot be far, I cannot wait
Exploration's last great prize
A saving grace, it wasn't mine

And more's the shame
You will remember my name

And more's the shame
You will remember my name

rone: (scohol)

This lyric from Sarah McLachlan's "Do What You Have to Do" has bugged me since i first heard it:

What ravages of spirit
conjured this temptuous rage?
[Poll #1299996]

I must note that i picked up the 'you insensitive clod' option from [livejournal.com profile] ewx, although it seems that [livejournal.com profile] senji has also used it.

rone: (Default)

This lyric from Sarah McLachlan's "Do What You Have to Do" has bugged me since i first heard it:

What ravages of spirit
conjured this temptuous rage?
[Poll #1299996]

I must note that i picked up the 'you insensitive clod' option from [livejournal.com profile] ewx, although it seems that [livejournal.com profile] senji has also used it.

rone: (ngc4449)

is it emo? who can say? )

rone: (Default)

is it emo? who can say? )

rone: (ngc4449)

[livejournal.com profile] rimrunner's song of the day stuck in my head, as it often does when i hear it, so i spent the afternoon translating the lyrics into Spanish to let it work its way out.  The meter's a little tricky in spots, but it works.

it goes like this )

rone: (Default)

[livejournal.com profile] rimrunner's song of the day stuck in my head, as it often does when i hear it, so i spent the afternoon translating the lyrics into Spanish to let it work its way out.  The meter's a little tricky in spots, but it works.

it goes like this )

DDDDDDDDD

Dec. 17th, 2007 12:38 am
rone: (i think too much)
.   /  .    .    .   /  .   .    .   /    .    .  .
THE DIAMOND THAT WAS STOLEN HELD THE CODE THAT MELTED
/ .   . .  /  .    .   .    /     .  .   .    / .   .     .
WATER INTO LETTERS SPELLING WHERE IT HAD BEEN TAKEN TO -- IN
/     . .   . / .    .  .   /  .    .  .  /  .    .    .
FACT, I HAD A VISION OF THE NUMBERS CORRESPONDING WITH THE
/  .    . . / . . . / . . .
LETTERS T-H-E-D-I-A-M-O-N-D

          .  /  .   .    . /   . .    .    /    .     .  .
[THEY'RE] SUSPENDED LIKE A PRISM SPLITTING FLOODLIGHT TO POLES
/  .  . .  / .     .   .   /   . .  .        /  .    .       .
OF PRIMARY COLORS, CLAWING THE VEIL OF [THE] VACUUM; THERE'S A
/  .    .  .    /  .  .  . /  . .     .   /  .      .   .
PICTURE OF THIS GIVEN TO AUTHORITIES, THE SENTENCE "I'M AN
/ .  .    .   /      .  .  .    /   .   .  .
ARCHITECT AND HERE'S MY PRISON" WRITTEN ON IT

       .   / .    .  . / . .     .   /  .   .     .
[WITH] SCHEMATICS SO METICULOUS, THE MEASUREMENTS OF
/ .  . . / .     .  . /    .   .  .   /  .   .    .
SUPERIMPOSITIONS OF A ROOM WITHIN THE WINDOW MAKE A
/     .    .    .  / .   .    .  / . .  .  /    . .   .
DREAM THAT ENDS UP BEING SUCH AN ENTITY IN YOUR REFLECTION --
/   .   .   .     /  .   .   .   /  .   .   .
YOU ARE THE DREAM TO IT, YOU ARE IN THE PRISM

.   /  .    .  .   /  .   .    .   /. .   ./      .   ..
THE MIRRORS IN THE CORNER THROWING IMAGES AGAINST THE OTHER
/  .    .    .   /    .  .    . /  . .      .
MIRRORS MADE COUNTING CORNERS IMPOSSIBLE -- THE
/    .   .    .   /   .   .    .    /      .     .     .
BREAKING NEWS HAD COUNTED ONE, TWO, THREE, FOUR, FIVE, SIX,
/ .    .      .     /    .. .   /  .    .  .   /  .     .  .
SEVEN, EIGHT, NINE, TEN, ELEVEN CORNERS OF THE MIRRORED CORNERS

/   .    .   .    /    .   .    .     /   .     .  .
WHY HAVE YOU DONE WHAT YOU HAVE DONE? SOMETHING IS SO
/ .  .   .    /   .   .  .   /  .     .   .
SINISTER WHEN STARING AT THE DIAMOND, SOMETHING
/   .    .     .  / .  .      .   /    .   .    .     /  . .  .
YOU HAVE DONE, SO SINISTER -- WHY HAVE YOU DONE THIS? AM I IN THE
/  .    .  . /    .   .    .    /   .   .   .  / . .  .
MIRROR? AM I WHAT YOU HAVE BEEN STARING AT? AM I A DIAMOND?

/    .    . . /   .    .  . /      .  .
JUST LIKE A REFLECTION OF A FRIEND OF MINE,
. .  / . .   .    /  .  .. /
I AM A REFLECTION OF AN ENEMY --
/  . . . /   .    .  .  /. .
AM I A REFLECTION OF AN ENEMY,
.    .    / . .   .    /  . .      .  /
JUST LIKE A REFLECTION OF A FRIEND OF MINE?

DDDDDDDDD

Dec. 17th, 2007 12:38 am
rone: (Default)
.   /  .    .    .   /  .   .    .   /    .    .  .
THE DIAMOND THAT WAS STOLEN HELD THE CODE THAT MELTED
/ .   . .  /  .    .   .    /     .  .   .    / .   .     .
WATER INTO LETTERS SPELLING WHERE IT HAD BEEN TAKEN TO -- IN
/     . .   . / .    .  .   /  .    .  .  /  .    .    .
FACT, I HAD A VISION OF THE NUMBERS CORRESPONDING WITH THE
/  .    . . / . . . / . . .
LETTERS T-H-E-D-I-A-M-O-N-D

          .  /  .   .    . /   . .    .    /    .     .  .
[THEY'RE] SUSPENDED LIKE A PRISM SPLITTING FLOODLIGHT TO POLES
/  .  . .  / .     .   .   /   . .  .        /  .    .       .
OF PRIMARY COLORS, CLAWING THE VEIL OF [THE] VACUUM; THERE'S A
/  .    .  .    /  .  .  . /  . .     .   /  .      .   .
PICTURE OF THIS GIVEN TO AUTHORITIES, THE SENTENCE "I'M AN
/ .  .    .   /      .  .  .    /   .   .  .
ARCHITECT AND HERE'S MY PRISON" WRITTEN ON IT

       .   / .    .  . / . .     .   /  .   .     .
[WITH] SCHEMATICS SO METICULOUS, THE MEASUREMENTS OF
/ .  . . / .     .  . /    .   .  .   /  .   .    .
SUPERIMPOSITIONS OF A ROOM WITHIN THE WINDOW MAKE A
/     .    .    .  / .   .    .  / . .  .  /    . .   .
DREAM THAT ENDS UP BEING SUCH AN ENTITY IN YOUR REFLECTION --
/   .   .   .     /  .   .   .   /  .   .   .
YOU ARE THE DREAM TO IT, YOU ARE IN THE PRISM

.   /  .    .  .   /  .   .    .   /. .   ./      .   ..
THE MIRRORS IN THE CORNER THROWING IMAGES AGAINST THE OTHER
/  .    .    .   /    .  .    . /  . .      .
MIRRORS MADE COUNTING CORNERS IMPOSSIBLE -- THE
/    .   .    .   /   .   .    .    /      .     .     .
BREAKING NEWS HAD COUNTED ONE, TWO, THREE, FOUR, FIVE, SIX,
/ .    .      .     /    .. .   /  .    .  .   /  .     .  .
SEVEN, EIGHT, NINE, TEN, ELEVEN CORNERS OF THE MIRRORED CORNERS

/   .    .   .    /    .   .    .     /   .     .  .
WHY HAVE YOU DONE WHAT YOU HAVE DONE? SOMETHING IS SO
/ .  .   .    /   .   .  .   /  .     .   .
SINISTER WHEN STARING AT THE DIAMOND, SOMETHING
/   .    .     .  / .  .      .   /    .   .    .     /  . .  .
YOU HAVE DONE, SO SINISTER -- WHY HAVE YOU DONE THIS? AM I IN THE
/  .    .  . /    .   .    .    /   .   .   .  / . .  .
MIRROR? AM I WHAT YOU HAVE BEEN STARING AT? AM I A DIAMOND?

/    .    . . /   .    .  . /      .  .
JUST LIKE A REFLECTION OF A FRIEND OF MINE,
. .  / . .   .    /  .  .. /
I AM A REFLECTION OF AN ENEMY --
/  . . . /   .    .  .  /. .
AM I A REFLECTION OF AN ENEMY,
.    .    / . .   .    /  . .      .  /
JUST LIKE A REFLECTION OF A FRIEND OF MINE?

irritated

Mar. 18th, 2005 04:56 pm
rone: (cornholio)

Imagine James Hetfield covering Van Halen's "I'm The One" over the concussive riffs of Helmet's "Impressionable"

nerve endings all aflare
it's all become too much to bear
i'm slowly tearing out my hair
i'm irritated

electrical impulse received
sensibilities aggrieved
the contents of my guts i've heaved
i'm irritated

CHORUS
irritated
irritated
irritated (x2)

axons and dendrites inflamed
too much stimuli to blame
i can't stand to hear your name
i'm irritated

it's like my skin has been scraped raw
or my limbs hacked off with a saw
it magnifies my every flaw
i'm irritated

BRIDGE
i can't shake the state i'm in
i'm about to burst my skin
it feels like i've been sprayed with mace
i can't stand to see your face

i'm irritated!

GUITAR SOLO

CHORUS x 2

irritated

Mar. 18th, 2005 04:56 pm
rone: (Default)

Imagine James Hetfield covering Van Halen's "I'm The One" over the concussive riffs of Helmet's "Impressionable"

nerve endings all aflare
it's all become too much to bear
i'm slowly tearing out my hair
i'm irritated

electrical impulse received
sensibilities aggrieved
the contents of my guts i've heaved
i'm irritated

CHORUS
irritated
irritated
irritated (x2)

axons and dendrites inflamed
too much stimuli to blame
i can't stand to hear your name
i'm irritated

it's like my skin has been scraped raw
or my limbs hacked off with a saw
it magnifies my every flaw
i'm irritated

BRIDGE
i can't shake the state i'm in
i'm about to burst my skin
it feels like i've been sprayed with mace
i can't stand to see your face

i'm irritated!

GUITAR SOLO

CHORUS x 2

rone: (anime - (c) 2002 jim vandewalker)

In a world without leaders, who'd start all the wars?
The world that you're saving will always be yours

Kill the President, voice of reason
Unify that single line
Stop the man with the power of the government
A leader's not the center of democracy

In a world without leaders, who'd make people starve?
The world that we're saving will always be ours

Everyone says, "Well, maybe I'll make a difference,"
Thinking they've got plenty of time
But you're squeezed a little tighter everyday
Punished before you can commit a crime

America
All of your enemies come from within
But you lash out so it's seen
Like some frightened child in an angry world
Or the fall of Rome
Your demise comes from your own hands

In a world without leaders, we might have a chance
But we'll never see it as long as there's

Kill the President!
Kill the President!
Kill the President!
Kill the President, NOW!

rone: (Default)

In a world without leaders, who'd start all the wars?
The world that you're saving will always be yours

Kill the President, voice of reason
Unify that single line
Stop the man with the power of the government
A leader's not the center of democracy

In a world without leaders, who'd make people starve?
The world that we're saving will always be ours

Everyone says, "Well, maybe I'll make a difference,"
Thinking they've got plenty of time
But you're squeezed a little tighter everyday
Punished before you can commit a crime

America
All of your enemies come from within
But you lash out so it's seen
Like some frightened child in an angry world
Or the fall of Rome
Your demise comes from your own hands

In a world without leaders, we might have a chance
But we'll never see it as long as there's

Kill the President!
Kill the President!
Kill the President!
Kill the President, NOW!

rone: (evil)

IT IS TIME, OOHHHOH
IT IS TIME
IT IS TIME FOR STORMY WEATHER

rone: (Default)

IT IS TIME, OOHHHOH
IT IS TIME
IT IS TIME FOR STORMY WEATHER

ojalá

Dec. 20th, 2003 02:22 am
rone: (quiet)

This is a song from my adolescence... it's a wonderful post-breakup "go to hell" song. It's been buzzing around my head for a few weeks, and file-pirating came to my aid.

Ojalá que las hojas no te toquen el cuerpo cuando caigan,
para que no las puedas convertir en cristal.
Ojalá que la lluvia deje de ser milagro que baja por tu cuerpo.
Ojalá que la luna pueda salir sin ti.
Ojalá que la tierra no te bese los pasos.

Ojalá se te acabe la mirada constante,
la palabra precisa, la sonrisa perfecta.
Ojalá pase algo que te borre de pronto,
una luz cegadora, un disparo de nieve.
Ojalá por lo menos que me lleve la muerte,
para no verte tanto, para no verte siempre.
En todos los segundos, en todas las visiones.
Ojalá que no pueda tocarte ni en canciones.

Ojalá que la aurora no dé gritos que caigan en mi espalda.
Ojalá que tu nombre, se le olvide a esa voz.
Ojalá las paredes no retengan tu ruido de camino cansado.
Ojalá que el deseo se vaya tras de ti,
a tu viejo gobierno de difuntos y flores.
I hope that the leaves don't touch your body when they fall
so that you cannot turn them into crystal
I hope that the rain stops being a miracle that falls down your body
I hope that the moon can rise without you
I hope the earth doesn't kiss your steps

I hope that you run out of the constant look,
the precise word, the perfect smile.
I hope that something happens that suddenly erases you,
A blinding light, a shot of snow.
I hope that, at least, death takes me,
so i don't see you as much, so i don't see you ever
In all the seconds, in all the visions.
I hope that i cannot touch you, even in songs.*

I hope that the aurora does not let out screams that fall on my back
I hope that your name is forgotten by that voice
I hope the walls don't hold on to your tired road noise
I hope that desire goes behind you,
to your old government of the deceased and flowers

*: In Spanish, the verb for "to play (an instrument)" is the same as "to touch" (tocar), thus the untranslatable pun.

ojalá

Dec. 20th, 2003 02:22 am
rone: (Default)

This is a song from my adolescence... it's a wonderful post-breakup "go to hell" song. It's been buzzing around my head for a few weeks, and file-pirating came to my aid.

Ojalá que las hojas no te toquen el cuerpo cuando caigan,
para que no las puedas convertir en cristal.
Ojalá que la lluvia deje de ser milagro que baja por tu cuerpo.
Ojalá que la luna pueda salir sin ti.
Ojalá que la tierra no te bese los pasos.

Ojalá se te acabe la mirada constante,
la palabra precisa, la sonrisa perfecta.
Ojalá pase algo que te borre de pronto,
una luz cegadora, un disparo de nieve.
Ojalá por lo menos que me lleve la muerte,
para no verte tanto, para no verte siempre.
En todos los segundos, en todas las visiones.
Ojalá que no pueda tocarte ni en canciones.

Ojalá que la aurora no dé gritos que caigan en mi espalda.
Ojalá que tu nombre, se le olvide a esa voz.
Ojalá las paredes no retengan tu ruido de camino cansado.
Ojalá que el deseo se vaya tras de ti,
a tu viejo gobierno de difuntos y flores.
I hope that the leaves don't touch your body when they fall
so that you cannot turn them into crystal
I hope that the rain stops being a miracle that falls down your body
I hope that the moon can rise without you
I hope the earth doesn't kiss your steps

I hope that you run out of the constant look,
the precise word, the perfect smile.
I hope that something happens that suddenly erases you,
A blinding light, a shot of snow.
I hope that, at least, death takes me,
so i don't see you as much, so i don't see you ever
In all the seconds, in all the visions.
I hope that i cannot touch you, even in songs.*

I hope that the aurora does not let out screams that fall on my back
I hope that your name is forgotten by that voice
I hope the walls don't hold on to your tired road noise
I hope that desire goes behind you,
to your old government of the deceased and flowers

*: In Spanish, the verb for "to play (an instrument)" is the same as "to touch" (tocar), thus the untranslatable pun.

rone: (quiet)

i am moonSHINE
and i lose ya

It's the third time i've listened to Doolittle today. I'm good and pissed off about this whole Ahnuld thing. It's embarrassing. Did i hear you correctly, California? You want to be donkey-punched?

Si no aprenden por las buenas... por las malas, entonces. Tarea de imbéciles.

rone: (Default)

i am moonSHINE
and i lose ya

It's the third time i've listened to Doolittle today. I'm good and pissed off about this whole Ahnuld thing. It's embarrassing. Did i hear you correctly, California? You want to be donkey-punched?

Si no aprenden por las buenas... por las malas, entonces. Tarea de imbéciles.

rone: (sunflower)

Mi madre me dijo
"Escúchame, hijo,
yo era una ñusta
firme y robusta.

No me preocupaba
de nada de nada,
hasta que llegó
tu padre, el huevón....

Y me violó
ese ijueputa conquistador
Y me dejó sola y abandonada
ese maldito chapetón."

Hirviendo en mi panza
mi sed de venganza
lo voy a encontrar
lo voy a matar

Mejor que se pierda
ese comemierda
Porque si lo hallo
Pa' siempre lo callo

Ese cabrón
merece mil muertes, un millón,
Voy a matar a mi padre,
a ese maldito chapetón.

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rone: (Default)
entombed in the shrine of zeroes and ones

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