entombed in the shrine of zeroes and ones

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Review: Deep Black, by Miles Cameron

Deep Black is a far-future science fiction novel and the direct sequel to Artifact Space. You do not want to start here. I regretted not reading the novels closer together and had to refresh my memory of what happened in the first book.

The shorter fiction in Beyond the Fringe takes place between the two series novels and leads into some of the events in this book, although reading it is optional.

Artifact Space left Marca Nbaro at the farthest point of the voyage of the Greatship Athens, an unexpected heroine and now well-integrated into the crew. On a merchant ship, however, there's always more work to be done after a heroic performance. Deep Black opens with that work: repairs from the events of the first book, the never-ending litany of tasks required to keep the ship running smoothly, and of course the trade with aliens that drew them so far out into the Deep Black.

We knew early in the first book that this wouldn't be the simple, if long, trading voyage that most of the crew of the Athens was expecting, but now they have to worry about an unsettling second group of aliens on top of a potential major war between human factions. They don't yet have the cargo they came for, they have to reconstruct their trading post, and they're a very long way from home. Marca also knows, at this point in the story, that this voyage had additional goals from the start. She will slowly gain a more complete picture of those goals during this novel.

Artifact Space was built around one of the most satisfying plots in military science fiction (at least to me): a protagonist who benefits immensely from the leveling effect and institutional inclusiveness of the military slowly discovering that, when working at its best, the military can be a true meritocracy. (The merchant marine of the Athens is not military, precisely, since it's modeled on the trading ships of Venice, but it's close enough for the purposes of this plot.) That's not a plot that lasts into a sequel, though, so Cameron had to find a new spine for the second half of the story. He chose first contact (of a sort) and space battle.

The space battle parts are fine. I read a ton of children's World War II military fiction when I was a boy, and I always preferred the naval battles to the land battles. This part of Deep Black reminded me of those naval battles, particularly a book whose title escapes me about the Arctic convoys to the Soviet Union. I'm more interested in character than military adventure these days, but every once in a while I enjoy reading about a good space battle. This was not an exemplary specimen of the genre, but it delivered on all the required elements.

The first contact part was more original, in part because Cameron chose an interesting medium ground between total incomprehensibility and universal translators. He stuck with the frustrations of communication for considerably longer than most SF authors are willing to write, and it worked for me. This is the first book I've read in a while where superficial alien fluency with the mere words of a human language masks continuing profound mutual incomprehension. The communication difficulties are neither malicious nor a setup for catastrophic misunderstanding, but an intrinsic part of learning about a truly alien species. I liked this, even though it makes for slower and more frustrating progress. It felt more believable than a lot of first contact, and it forced the characters to take risks and act on hunches and then live with the consequences.

One of the other things that Cameron does well is maintain the steady rhythm of life on a working ship as a background anchor to the story. I've read a lot of science fiction that shows the day-to-day routine only until something more interesting and plot-focused starts happening and then seems to forget about it entirely. Not here. Marca goes through intense and adrenaline-filled moments requiring risk and fast reactions, and then has to handle promotion write-ups, routine watches, and studying for advancement. Cameron knows that real battles involve long periods of stressful waiting and incorporates them into the book without making them too boring, which requires a lot of writing skill.

I prefer the emotional magic of finding a place where one belongs, so I was not as taken with Deep Black as I was with Artifact Space, but that's the inevitable result of plot progression and not really a problem with this book. Marca is absurdly central to the story in ways that have a whiff of "chosen one" dynamics, but if one can suspend one's disbelief about that, the rest of the book is solid. This is, fundamentally, a book about large space battles, so save it when you're in the mood for that sort of story, but it was a satisfying continuation of the series. I will definitely keep reading.

Recommended if you enjoyed Artifact Space. If you didn't, Deep Black isn't going to change your mind.

Followed by Whalesong, which is not yet released (and is currently in some sort of limbo for pre-orders in the US, which I hope will clear up).

Rating: 7 out of 10

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Review: The Incandescent, by Emily Tesh

The Incandescent is a stand-alone magical boarding school fantasy.

Your students forgot you. It was natural for them to forget you. You were a brief cameo in their lives, a walk-on character from the prologue. For every sentimental my teacher changed my life story you heard, there were dozens of my teacher made me moderately bored a few times a week and then I got through the year and moved on with my life and never thought about them again.

They forgot you. But you did not forget them.

Doctor Saffy Walden is Director of Magic at Chetwood, an elite boarding school for prospective British magicians. She has a collection of impressive degrees in academic magic, a specialization in demonic invocation, and a history of vague but lucrative government job offers that go with that specialty. She turned them down to be a teacher, and although she's now in a mostly administrative position, she's a good teacher, with the usual crop of promising, lazy, irritating, and nervous students.

As the story opens, Walden's primary problem is Nikki Conway. Or, rather, Walden's primary problem is protecting Nikki Conway from the Marshals, and the infuriating Laura Kenning in particular.

When Nikki was seven, she summoned a demon who killed her entire family and left her a ward of the school. To Laura Kenning, that makes her a risk who should ideally be kept far away from invocation. To Walden, that makes Nikki a prodigious natural talent who is developing into a brilliant student and who needs careful, professional training before she's tempted into trying to learn on her own.

Most novels with this setup would become Nikki's story. This one does not. The Incandescent is Walden's story.

There have been a lot of young-adult magical boarding school novels since Harry Potter became a mass phenomenon, but most of them focus on the students and the inevitable coming-of-age story. This is a story about the teachers: the paperwork, the faculty meetings, the funding challenges, the students who repeat in endless variations, and the frustrations and joys of attempting to grab the interest of a young mind. It's also about the temptation of higher-paying, higher-status, and less ethical work, which however firmly dismissed still nibbles around the edges.

Even if you didn't know Emily Tesh is herself a teacher, you would guess that before you get far into this novel. There is a vividness and a depth of characterization that comes from being deeply immersed in the nuance and tedium of the life that your characters are living. Walden's exasperated fondness for her students was the emotional backbone of this book for me. She likes teenagers without idealizing the process of being a teenager, which I think is harder to pull off in a novel than it sounds.

It was hard to quantify the difference between a merely very intelligent student and a brilliant one. It didn't show up in a list of exam results. Sometimes, in fact, brilliance could be a disadvantage — when all you needed to do was neatly jump the hoop of an examiner's grading rubric without ever asking why. It was the teachers who knew, the teachers who could feel the difference. A few times in your career, you would have the privilege of teaching someone truly remarkable; someone who was hard work to teach because they made you work harder, who asked you questions that had never occurred to you before, who stretched you to the very edge of your own abilities. If you were lucky — as Walden, this time, had been lucky — your remarkable student's chief interest was in your discipline: and then you could have the extraordinary, humbling experience of teaching a child whom you knew would one day totally surpass you.

I also loved the world-building, and I say this as someone who is generally not a fan of demons. The demons themselves are a bit of a disappointment and mostly hew to one of the stock demon conventions, but the rest of the magic system is deep enough to have practitioners who approach it from different angles and meaty enough to have some satisfying layered complexity. This is magic, not magical science, so don't expect a fully fleshed-out set of laws, but the magical system felt substantial and satisfying to me.

Tesh's first novel, Some Desperate Glory, was by far my favorite science fiction novel of 2023. This is a much different book, which says good things about Tesh's range and the potential of her work yet to come: adult rather than YA, fantasy rather than science fiction, restrained and subtle in places where Some Desperate Glory was forceful and pointed. One thing the books do have in common, though, is some structure, particularly the false climax near the midpoint of the book. I like the feeling of uncertainty and possibility that gives both books, but in the case of The Incandescent, I was not quite in the mood for the second half of the story.

My problem with this book is more of a reader preference than an objective critique: I was in the mood for a story about a confident, capable protagonist who was being underestimated, and Tesh was writing a novel with a more complicated and fraught emotional arc. (I'm being intentionally vague to avoid spoilers.) There's nothing wrong with the story that Tesh wanted to tell, and I admire the skill with which she did it, but I got a tight feeling in my stomach when I realized where she was going. There is a satisfying ending, and I'm still very happy I read this book, but be warned that this might not be the novel to read if you're in the mood for a purer competence porn experience.

Recommended, and I am once again eagerly awaiting the next thing Emily Tesh writes (and reminding myself to go back and read her novellas).

Content warnings: Grievous physical harm, mind control, and some body horror.

Rating: 8 out of 10

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