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. / . . . / . . . / . . . THE DIAMOND THAT WAS STOLEN HELD THE CODE THAT MELTED / . . . / . . . / . . . / . . . WATER INTO LETTERS SPELLING WHERE IT HAD BEEN TAKEN TO -- IN / . . . / . . . / . . . / . . . FACT, I HAD A VISION OF THE NUMBERS CORRESPONDING WITH THE / . . . / . . . / . . . LETTERS T-H-E-D-I-A-M-O-N-D . / . . . / . . . / . . . [THEY'RE] SUSPENDED LIKE A PRISM SPLITTING FLOODLIGHT TO POLES / . . . / . . . / . . . / . . . OF PRIMARY COLORS, CLAWING THE VEIL OF [THE] VACUUM; THERE'S A / . . . / . . . / . . . / . . . PICTURE OF THIS GIVEN TO AUTHORITIES, THE SENTENCE "I'M AN / . . . / . . . / . . . ARCHITECT AND HERE'S MY PRISON" WRITTEN ON IT . / . . . / . . . / . . . [WITH] SCHEMATICS SO METICULOUS, THE MEASUREMENTS OF / . . . / . . . / . . . / . . . SUPERIMPOSITIONS OF A ROOM WITHIN THE WINDOW MAKE A / . . . / . . . / . . . / . . . DREAM THAT ENDS UP BEING SUCH AN ENTITY IN YOUR REFLECTION -- / . . . / . . . / . . . YOU ARE THE DREAM TO IT, YOU ARE IN THE PRISM . / . . . / . . . /. . ./ . .. THE MIRRORS IN THE CORNER THROWING IMAGES AGAINST THE OTHER / . . . / . . . / . . . MIRRORS MADE COUNTING CORNERS IMPOSSIBLE -- THE / . . . / . . . / . . . BREAKING NEWS HAD COUNTED ONE, TWO, THREE, FOUR, FIVE, SIX, / . . . / .. . / . . . / . . . SEVEN, EIGHT, NINE, TEN, ELEVEN CORNERS OF THE MIRRORED CORNERS / . . . / . . . / . . . WHY HAVE YOU DONE WHAT YOU HAVE DONE? SOMETHING IS SO / . . . / . . . / . . . SINISTER WHEN STARING AT THE DIAMOND, SOMETHING / . . . / . . . / . . . / . . . YOU HAVE DONE, SO SINISTER -- WHY HAVE YOU DONE THIS? AM I IN THE / . . . / . . . / . . . / . . . MIRROR? AM I WHAT YOU HAVE BEEN STARING AT? AM I A DIAMOND? / . . . / . . . / . . JUST LIKE A REFLECTION OF A FRIEND OF MINE, . . / . . . / . .. / I AM A REFLECTION OF AN ENEMY -- / . . . / . . . /. . AM I A REFLECTION OF AN ENEMY, . . / . . . / . . . / JUST LIKE A REFLECTION OF A FRIEND OF MINE?
Dec. 17th, 2007
. / . . . / . . . / . . . THE DIAMOND THAT WAS STOLEN HELD THE CODE THAT MELTED / . . . / . . . / . . . / . . . WATER INTO LETTERS SPELLING WHERE IT HAD BEEN TAKEN TO -- IN / . . . / . . . / . . . / . . . FACT, I HAD A VISION OF THE NUMBERS CORRESPONDING WITH THE / . . . / . . . / . . . LETTERS T-H-E-D-I-A-M-O-N-D . / . . . / . . . / . . . [THEY'RE] SUSPENDED LIKE A PRISM SPLITTING FLOODLIGHT TO POLES / . . . / . . . / . . . / . . . OF PRIMARY COLORS, CLAWING THE VEIL OF [THE] VACUUM; THERE'S A / . . . / . . . / . . . / . . . PICTURE OF THIS GIVEN TO AUTHORITIES, THE SENTENCE "I'M AN / . . . / . . . / . . . ARCHITECT AND HERE'S MY PRISON" WRITTEN ON IT . / . . . / . . . / . . . [WITH] SCHEMATICS SO METICULOUS, THE MEASUREMENTS OF / . . . / . . . / . . . / . . . SUPERIMPOSITIONS OF A ROOM WITHIN THE WINDOW MAKE A / . . . / . . . / . . . / . . . DREAM THAT ENDS UP BEING SUCH AN ENTITY IN YOUR REFLECTION -- / . . . / . . . / . . . YOU ARE THE DREAM TO IT, YOU ARE IN THE PRISM . / . . . / . . . /. . ./ . .. THE MIRRORS IN THE CORNER THROWING IMAGES AGAINST THE OTHER / . . . / . . . / . . . MIRRORS MADE COUNTING CORNERS IMPOSSIBLE -- THE / . . . / . . . / . . . BREAKING NEWS HAD COUNTED ONE, TWO, THREE, FOUR, FIVE, SIX, / . . . / .. . / . . . / . . . SEVEN, EIGHT, NINE, TEN, ELEVEN CORNERS OF THE MIRRORED CORNERS / . . . / . . . / . . . WHY HAVE YOU DONE WHAT YOU HAVE DONE? SOMETHING IS SO / . . . / . . . / . . . SINISTER WHEN STARING AT THE DIAMOND, SOMETHING / . . . / . . . / . . . / . . . YOU HAVE DONE, SO SINISTER -- WHY HAVE YOU DONE THIS? AM I IN THE / . . . / . . . / . . . / . . . MIRROR? AM I WHAT YOU HAVE BEEN STARING AT? AM I A DIAMOND? / . . . / . . . / . . JUST LIKE A REFLECTION OF A FRIEND OF MINE, . . / . . . / . .. / I AM A REFLECTION OF AN ENEMY -- / . . . / . . . /. . AM I A REFLECTION OF AN ENEMY, . . / . . . / . . . / JUST LIKE A REFLECTION OF A FRIEND OF MINE?